COSMETOLOGY (NFNF 2522) DR HALIZA BT KATAS |
TITLE:
Powder Rouge Preparation
DATE OF EXPERIMENT:
24th March 2016
OBJECTIVES:
- To formulate dry powder rouge.
- To study the factors affecting color shading in powder.
- To evaluate the effect of storage condition on final product.
INTRODUCTION:
MATERIALS:
Kaolin, Talc, Magnesium stearate, Zinc Oxide, Colorant,
Rice starch, Titanium dioxide.
Rice starch, Titanium dioxide.
APPARATUS:
Mortar and Pestle, Spatula, Weighing boat,
Weighing balance, Containers.
PROCEDURES:
- 60g of basic powder preparation without coloring agent (P0) is prepared.
- Another 60g of powder rouge containing 4% of an insoluble red coloring agent (P4) is prepared.
- Other powder rouge preparations is prepared by diluting the 4% powder rouge accordingly to obtain various shades of colors.
- The suggested concentration of coloring agent is 0.5-4%.
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The materials are mixed using mortal and pestle.
Doubling up method is used to mix all the materials in equal distribution.
Table 1: Basic Powder Formulation without Coloring Agent and with Coloring Agent
Basic Powder Formulation
|
60g of P0 (0%) (g)
|
60g of P4 (4%) (g)
| |
Kaolin
|
16%
|
9.6
|
9.6
|
Talc
|
48%
|
28.8
|
28.8
|
Magnesium stearate
|
6%
|
3.6
|
3.6
|
Zinc oxide
|
5%
|
3
|
3
|
Rice starch
|
10%
|
6
|
6
|
Magnesium carbonate
|
5%
|
3
|
3
|
Colorant
|
4%
|
-
|
2.4
|
Titanium dioxide q.s. ad
|
100%
|
6
|
3.6
|
Table 2: Table of Four Other Powder Rouge
Preparations
Preparations
Code
|
Colorant (%)
|
Amount of P4 (g)
|
Amount of P0 (g)
|
Total amount of rouge (g)
|
P1
|
4
|
20
|
-
|
20
|
P2
|
3
|
15
|
5
|
20
|
P3
|
2
|
10
|
10
|
20
|
P4
|
1
|
5
|
15
|
20
|
P5
|
0.5
|
2.5
|
17.5
|
20
|
Total (g) :
|
52.5 (≈60)
|
47.5 (≈60)
|
RESULTS:
1. Powder Rouge in the Dark.
Code
|
Color
Separation
|
Change in Color
|
Flow Properties
|
P1
|
No
|
No
|
Good
|
P2
|
No
|
No
|
Good
|
P3
|
No
|
No
|
Good
|
P4
|
No
|
No
|
Good
|
P5
|
No
|
No
|
Good
|
2. Powder Rouge When Exposed to Sunlight
Code
|
Colour
Separation
|
Change in Colour
|
Flow Properties
|
P1
|
No
|
No
|
Good
|
P2
|
No
|
No
|
Good
|
P3
|
No
|
No
|
Good
|
P4
|
No
|
No
|
Good
|
P5
|
No
|
No
|
Good
|
3. Powder Rouge When Test on Cheek
Code
|
Duration of
Application
|
Result
|
P1
|
6 Hours
|
No irritation, smooth
|
P2
|
6 Hours
|
No irritation, smooth
|
P3
|
6 Hours
|
No irritation, smooth
|
P4
|
6 Hours
|
No irritation, smooth
|
P5
|
6 Hours
|
No irritation, smooth
|
Chart of Color Shading
DISCUSSION:
Rouge
has its own history which goes way back in centuries and as used as early as in
ancient Egypt. During those times, crushed mulberries, red beet juice and red
amaranth were used as rouge to give the reddish appearance. However, modern
rouge consists of red-colored talcum based powder applied to cheeks. Powder rouge can also be termed as powder
blusher which comes in compacted powder. It is usually made from talcum,
colorants and other additives. Some formula prefers corn starch, rice powder or
arrowroot powder. Powder rouge is generally easier to apply compared to cream rouge
and recommended for oily skin type as it absorbs excess face oil. Cream rouge is generally made from
oils, waxes, colorants, additives and sometimes even talcum. It is usually sold
in tubes. Cream rouge is slightly harder to apply compared to powder rouge due
to the possibility of the color to streak or clump. It is recommended for dry
skin type as it contains water and adds moisture to the face.
According to the Food and Drug Administration, color additive as defined by the regulation is any dye, pigment, or other substance that can impart color to a food, drug, or cosmetic or to the human body. Color additives are important components of many products, making them attractive, appealing, appetizing, and informative. Dyes
are a common color additives added to food or cosmetics. Dyes possess their
colors due to its light absorbing visible spectrum (400 – 700 nm). Dyes differ
with pigment in which dyes are soluble in water or organic solvent while
pigments are insoluble in both types of liquid vehicle. Dyes can be water soluble or oil soluble thus solubility of dyes in powder and in cream rouges is important to give the color effect. Water soluble dyes are usually found in powder form. Because there is no binder in dyes, the rouge color can be darken or lighten accordingly by controlling the amount of dyes used. However, dyes fade in UV light so it is important to store colored cosmetics away from direct sunlight. Water soluble dyes will give off a more transparent layer on the skin of the wearer while oil soluble dyes which are usually used in cream rouge can give a more uniform and smooth layer on the skin.
The
basic powder formulation for powder rouge made was kaolin, talc, magnesium
stereate, zinc oxide, rice starch, magnesium carbonate, colorant (red 101 or
Scarlet RN) and titanium dioxide. 5
formulations (P1, P2, P3, P4 and P5) were made, each weighing about 20 grams of
powder formulation but with different amount of colorant. P1 with 4% colorant
produces the most intense colour followed by P2 which only contain 3% colorant,
P3 with 2% colorant, P4 with 1% colorant and the least intense colour, P5 with
only 0.5% colorant. From here, it can be seen that the higher amount of
colorant added, the more visible or intense the colour of the product. It can
also be said that the difference in colour from darker to lighter colour for P1
to P5 were due to the increasing amount of diluents together with the
decreasing amount of colorant, making the colour lighter.
From the graph on the result section, we could know that the concentration of the colorant is the one who will determine the color shadings of powder and cream rouges. This is because when a greater amount of (P4) are added in the formulation, the darker the shadings of powder rouges form will be. P4 is the formulation that has been added 4% of colorant of the total weight of formulation meanwhile P0 are the formulation that has not contain any colorant. C5 has 0.5% of colorant (2.5g of P4 mix with 17.5g of P0), C4 has 1% of colorant (5.0g of P4 mix with 15.0g of P0), C3 has 2% of colorant (10.0g of P4 mix with 10.0 of P0), C2 has 3% of colorant (15.0g of P4 mix with 5.0g of P0) and C1 has 4% of colorant (20.0g of P4). The colour shading increases from A1 to A5.
The
ingredients in the dry powder rouge preparation are kaolin, talc, magnesium
stearate, zinc oxide, rice starch, colorant and titanium dioxide. Kaolin is a
natural clay-like mineral and is composed of silica, iron, magnesium, calcium,
sodium, zinc and other mineral. Kaolin is a white insoluble powder which has
excellent absorbent quality which is used to draw out impurities and toxins. It
is also an anti-caking agent which will helps in preventing the powder from
caking and clump. Rice starch also has the same absorbent properties as kaolin
and it is plant extract and seldom use for an oily type.
Talc finds use as a cosmetic (talcum powder), as a lubricant. Other than that,
talc mattes or hues the skin; it can have an antibacterial effect as well, thus
preventing skin impurities. Magnesium stearate as is a glidant, substance that
helps improving the flow ability of powders. As for zinc oxide, it acts as a
bulking agent and permits it to cover the skin more thoroughly. Next is
titanium dioxide which imparts a whiteness to color cosmetics and personal
care products that are applied to the skin (including the eye area), nails,
lips. It also helps to increase the opacity, and reduce the transparency of a
product formula. Titanium Dioxide also absorbs, reflects, or scatters light
(including ultraviolet radiation in light), which can help protect products
from deterioration.
When talking about the stability of the powder rouge, the powder rouge has been stored in different condition; exposed to sunlight and in dark. A few criteria that has been look for
is the color separation, color changes and also the flow properties, whether it changed or not after the storage. From the test, we found that the
stability are affected by light, temperature and humidity. At the end of the
test, we see that there are no changes in texture and color, and they have a good spreadibility
within its storage period either we kept them in the dark or exposed to to
light. There are no color changes or separation in color because the preparation
of the rouge does not involves any liquid substances and it was prepared in a
really dry condition from the weighing substances, mixing it and even packaging. In
addition, the formulation contains zinc oxide which act as sunscreen agent
by reflecting and scattering UV radiation as mention above. This is why the
products is protected from the deterioration. Besides, magnesium stearate which
is a good glidant is also incorporated in the formulation. That is why the
powder still has good flow properties even after a month of storage. Glidant
is a substance that can improve the flowability of the powder.
The
powder rouge is keeps in the dark and exposed to sunlight for about one month.
However, the rouge is not exposed directly to sunlight to prevent any change in
chemical and physical stability. So, we decided to put it near the window so
that we can monitor it often. Besides, we do not want the rouge to be exposed
during rainy days to avoid any contamination before the expiring date. As
direct sunlight may cause oxidation for certain substances and slightly changes
in color. The preparation of rouge also does not involve liquid and was
prepared in a very dry condition. When conducting experiment, it is very important to
make sure the formulations mixed well in order to avoid uneven distribution of
the formulations. Hence, the doubling up technique should be applied properly.
CONCLUSION:
In conclusion, the color
shading of powder rouge is based on the concentration of colorant. The higher the concentration of colorant, the
darker the color of the powder rouges. Exposure to direct sunlight may cause
the separation of colorant, bad flow properties and change in color therefore
storage conditions are very important. However, throughout this experiment, storage condition does not affect the stability of the dry powder rouge.
REFERENCES:
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68, 2, February, 180-181, 246-247 , http://www.cosmeticsandskin.com/bcb/rouge.php
2. Daniels, M. H. (1958). Rouges. Drug and Cosmetic
Industry. 83, 2, August, 162-163, 248-249,
Industry. 83, 2, August, 162-163, 248-249,
http://www.cosmeticsandskin.com/bcb/rouge.php
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4. Aulton, M.E. 2002. Pharmaceutics: The Science of Dosage form Design. Edinburgh Churchill Livingstone.
3. Anon. 2014. Cream Blush vs. Powder Blush.
http://www.ebay.com/gds/Cream-Blush-vs-Powder-Blush/
/10000000177632680/g.html [16 September 2014]
4. Aulton, M.E. 2002. Pharmaceutics: The Science of Dosage form Design. Edinburgh Churchill Livingstone.